The virus represent Communism. The zombies represent North Korea and collaborators. The people on the train represent refugees escaping to Busan, Which in real life Busan was the last stronghold against North Korean
the theory of maddision been infected goes down the drain since if you watch the movie she keep saying she's allergic to the snack Wichita gave her which has nut in them so yeah that theory goes up who ever as came up with it (video maker)
Remembering their human lives is just the Half-Life zombies. Or more specifically, the fact that they are still fully aware and conscious of what's happening to them. If any of you have heard the "GOD, PLEASE HELP ME! AHHHHHHH!" audio, that's the zombies noises played in reverse to reveal that the victims are still conscious and in excruciating agony the entire time, pretty much begging for death as a release.
I propose a theory about the "Return of the Living Dead" film series: In the film, we're told that the state of undeath is painful, and that the only thing that compensates for this pain is the brains of the living. But what if it's not so much being zombies as being dead that causes pain? Think about it for a moment: when the plague begins, the dead in the cemetery shoot out of their graves like rockets, no sense of bewilderment at being alive again. They already know what it takes to stop the pain and don't want to waste time, as if they already knew and were just waiting for the opportunity to remedy it. The theory essentially holds that death leaves the dead conscious inside their bodies, unable to move but perfectly aware, and afflicted by enormous, excruciating pain. and this scenario is even worse than the invasion of the living dead, because you can escape from a zombie, but you can't escape from death and what it entails, you can postpone it, but one day or another that infinite agony will be your turn too.
You used the wrong movie poster for Romero's "Day of the Dead (1985)." Zombie movie lore is a niche subject of interest- people are going to call your low-level effort.
I really like the theory about the military at the end of 28 Days Later. I think the movie is very good but felt that ending with the military didn't make sense. As the name implies, it's only 28 Days Later. So even if it's 30 or 40 days later then they meet the military - this military has become just a group of thugs. Luring people in so they can kill them. Raping the women. The commander says he made a promise to his men that they'd have women. IT'S ONLY BEEN 28 DAYS. Military are often posted, especially if in the Navy, away from sources of sex for months. We don't if the virus is only in the UK in the movie but have to assume that as military - they would know. Yet we see aircraft at the end of the movie. (And know in the sequels that is was just the UK.) If these men were military then there would be thousands of British soldiers overseas and on ships. The real military would someday return. So thinking of them as a bunch of guys who weren't military, or might have been poorly trained reserves, takes some of the sting out of that bad ending.
The Walking Dead zombies are nothing like the zombies from Rec. The zombies from Rec were also from turning demonic possession into a virus itself. The infection in Rec also was found in a dog, something that did not happen in TWD. The girl also was not killed or even bitten by a zombie. She caught the virus from either the guy who made it or close contact with her dog, and the viral infection eventually killed her. She was never actually bitten though, simply got progressively sicker. That too does not happen in TWD.
Oof. The first is the clumsiness of the people making the movie. They gave us no indication (such as the woman able to pretend to be normal). WWZ movie stupidity in that the infected don't merely ignore terminally ill people. They give them a wide berth. So wide that even those far away flow with them. Quarantine? TWD the thing is not carried by any animals. I think you accidentally threw a line about Army of the Dead into the end of Pride and Prejudice.