The Holiday of Easter is one of the weirdest in America, frankly, and I decided to set out to review some of the weirdest films made to match.
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The Holiday of Easter is one of the weirdest in America, frankly, and I decided to set out to review some of the weirdest films made to match.
My Patreon ➱ http://bit.ly/2oKC0SJ
My Twitter ➱ https://goo.gl/E7M6YZ
My Reddit ➱ https://goo.gl/yXwRVY
My Facebook ➱ http://bit.ly/2pEfZVh
Also the animatiors all know what this is, a common animator game is to get as many people together as you can and compete to see who has the lowest rotten tomatoes score to their name. They know. You still knuckle down and do the best job you can anyway, if for nobody else but yourself and your demo reel. and maybe to 'win' the rotten tomatoes game.
Fun fact, the studio that made Hop had only really specialized in super realistic work before, and their riggers could not understand why the animators would want bouncier, more exaggerated and malleable characters. Or at least, they had no idea how to deliver flexable models so they just didn't. He spent most of that production fighting the guy rigging the villian cuz my prof wanted him to do big cartoonish actions and treat him like a two stretchy balls connected to eachother, but just couldn't cuz the model would constantly break. These cartoon chickens were never being built to do cartoonish actions. That odd disconnect of highly restrictive animation put onto extremely cartoonish characters goes a long way to making it feel off, even before you get to akward blending of live action and cg.
A great many people spent years upon years of dedicated schooling, countless nights spent crying over artistic insecurities, braved a job market that will toss you out without warning, being fired and hired and refired, and have accepted professions that nobody will ever notice the good work you do and will always blame you for everything. And they did it all so that they could make Hop. This is the end-point of all of those college panic attacks.
Making Hop.