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00:00 hey
00:34 dionysus & the mysteries
11:31 THE BACCHAE
14:44 Prologue
22:57 I
31:24 II
35:05 III
43:21 IV
46:12 V
51:02 bye
buy me a glass of wine??
https://ko-fi.com/figtree47
References
Aronen, J. (1992). “Notes on Athenian Drama as Ritual myth-telling within the cult of Dionysos,” Arctos–Acta Philologica Fennica, 26, 19–37.
Barrengos, I. (2019). “Spirit Possession, Mediation, and Ambiguity in the Ancient Greek Worship of Dionysos,” Honors Theses, Bates College. 301
Belknap, G. N. (1934). “The Date of Dicaeopolis’ Rural Dionysia,” The Journal of Hellenic Studies, 54, 77–78.
Berberovic, N. (2015) “Ritual, myth and tragedy: Origins of theatre in Dionysian rites,” Epiphany, 8(1), 30–38.
Burkert, W. (1987). Ancient Mystery Cults. Harvard: Harvard University Press.
Chaniotis, A. (2007). “Theatre Rituals,” in The Greek Theatre and Festivals: Documentary Studies. Peter Wilson (Ed.), 48–66. Oxford: Oxford University Press.
Csaspo, E. (1997). “Riding the Phallus for Dionysus: Iconology, Ritual, and Gender-
Role De/Construction,” Phoenix, 51(3/4), 253–295.
Csapo, E. (2016). "The 'Theology' of the Dionysia and Old Comedy". In Eidinow, Esther (ed.). Theologies of Ancient Greek Religion. New York: Cambridge University Press. p. 118.
Diodorus Siculus. (1935). Library of history (C. H. Oldfather, Trans.; Vol. 2). Harvard University Press. (Original work published ca. 60–30 BCE)
Easterling, P. E. (1997). The Cambridge Companion to Greek Tragedy. Cambridge: Cambridge University Press.
Euripides. (2002). The Bacchae (D. Kovacs, Trans.). Harvard University Press.
Goette, H. R. (2014). “The Archaeology of the ‘Rural’ Dionysia in Attica,” in Greek Theatre in the Fourth Century B.C, 77–106. Berlin, Boston: De Gruyter.
Kontomichos, F., Papadakos, C., Georganti, E., Vovolis, T., & Mourjopoulos, J. (2014). “The sound effect of ancient Greek theatrical masks,” International Conference on Mathematics and Computing, 1444–1452
Montgomery, H.C. ( 1942). "Some Later Uses of the Greek Tragic Chorus". The Classical Journal. 38 (3): 148–160.
Moraw, S. (2012). Visual Differences: Dionysos in Ancient Art. In R. Schlesier (Ed.), A
Different God?: Dionysos and Ancient Polytheism, 233–252. Berlin, Boston: De Gruyter.
Näsström, B.-M. (2003). “The rites in the mysteries of Dionysus: the birth of the drama,” Scripta Instituti Donneriani Aboensis, 18, 139–148.
Ovid. (2008). Metamorphoses (A. D. Melville, Trans.). Oxford University Press. (Original work published ca. 8 CE).
Schuddeboom, F.L. (2009). Greek Religious Terminology – Telete & Orgia: A Revised and Expanded English Edition of the Studies by Zijderveld and Van Der Burg (Religions in the Graeco-Roman World 169). Leiden: Brill.
Seaford, R. (1981). “Dionysiac Drama and the Dionysiac Mysteries,” The Classical Quarterly, 31(2), 252–275.
Townsend, R. F. (1986). “The Fourth-Century Skene of the Theater of Dionysos at Athens, ” Hesperia: The Journal of the American School of Classical Studies at Athens, 55(4), 421–438.
Varakis-Martin, A. (2004). “Research on the Ancient Mask,” Didaskalia, 6(1).
Wescoat, B.D. & R.G. Ousterhout (eds). (2012). Architecture of the Sacred: Space, Ritual, and Experience from Classical Greece to Byzantium. Cambridge: Cambridge University Press.
Wilson, P. (2018). “The Theatres and Dionysia of Attica,” Πλειών: Papers in Memory of Christiane Sourvinou-Inwood, 1, 97–144.
Start speaking a new language in 3 weeks with Babbel 🎉. Get 20% OFF a Lifetime subscription ➡️ https://bit.ly/figtreeAug26
cheers
00:00 hey
00:34 dionysus & the mysteries
11:31 THE BACCHAE
14:44 Prologue
22:57 I
31:24 II
35:05 III
43:21 IV
46:12 V
51:02 bye
buy me a glass of wine??
https://ko-fi.com/figtree47
References
Aronen, J. (1992). “Notes on Athenian Drama as Ritual myth-telling within the cult of Dionysos,” Arctos–Acta Philologica Fennica, 26, 19–37.
Barrengos, I. (2019). “Spirit Possession, Mediation, and Ambiguity in the Ancient Greek Worship of Dionysos,” Honors Theses, Bates College. 301
Belknap, G. N. (1934). “The Date of Dicaeopolis’ Rural Dionysia,” The Journal of Hellenic Studies, 54, 77–78.
Berberovic, N. (2015) “Ritual, myth and tragedy: Origins of theatre in Dionysian rites,” Epiphany, 8(1), 30–38.
Burkert, W. (1987). Ancient Mystery Cults. Harvard: Harvard University Press.
Chaniotis, A. (2007). “Theatre Rituals,” in The Greek Theatre and Festivals: Documentary Studies. Peter Wilson (Ed.), 48–66. Oxford: Oxford University Press.
Csaspo, E. (1997). “Riding the Phallus for Dionysus: Iconology, Ritual, and Gender-
Role De/Construction,” Phoenix, 51(3/4), 253–295.
Csapo, E. (2016). "The 'Theology' of the Dionysia and Old Comedy". In Eidinow, Esther (ed.). Theologies of Ancient Greek Religion. New York: Cambridge University Press. p. 118.
Diodorus Siculus. (1935). Library of history (C. H. Oldfather, Trans.; Vol. 2). Harvard University Press. (Original work published ca. 60–30 BCE)
Easterling, P. E. (1997). The Cambridge Companion to Greek Tragedy. Cambridge: Cambridge University Press.
Euripides. (2002). The Bacchae (D. Kovacs, Trans.). Harvard University Press.
Goette, H. R. (2014). “The Archaeology of the ‘Rural’ Dionysia in Attica,” in Greek Theatre in the Fourth Century B.C, 77–106. Berlin, Boston: De Gruyter.
Kontomichos, F., Papadakos, C., Georganti, E., Vovolis, T., & Mourjopoulos, J. (2014). “The sound effect of ancient Greek theatrical masks,” International Conference on Mathematics and Computing, 1444–1452
Montgomery, H.C. ( 1942). "Some Later Uses of the Greek Tragic Chorus". The Classical Journal. 38 (3): 148–160.
Moraw, S. (2012). Visual Differences: Dionysos in Ancient Art. In R. Schlesier (Ed.), A
Different God?: Dionysos and Ancient Polytheism, 233–252. Berlin, Boston: De Gruyter.
Näsström, B.-M. (2003). “The rites in the mysteries of Dionysus: the birth of the drama,” Scripta Instituti Donneriani Aboensis, 18, 139–148.
Ovid. (2008). Metamorphoses (A. D. Melville, Trans.). Oxford University Press. (Original work published ca. 8 CE).
Schuddeboom, F.L. (2009). Greek Religious Terminology – Telete & Orgia: A Revised and Expanded English Edition of the Studies by Zijderveld and Van Der Burg (Religions in the Graeco-Roman World 169). Leiden: Brill.
Seaford, R. (1981). “Dionysiac Drama and the Dionysiac Mysteries,” The Classical Quarterly, 31(2), 252–275.
Townsend, R. F. (1986). “The Fourth-Century Skene of the Theater of Dionysos at Athens, ” Hesperia: The Journal of the American School of Classical Studies at Athens, 55(4), 421–438.
Varakis-Martin, A. (2004). “Research on the Ancient Mask,” Didaskalia, 6(1).
Wescoat, B.D. & R.G. Ousterhout (eds). (2012). Architecture of the Sacred: Space, Ritual, and Experience from Classical Greece to Byzantium. Cambridge: Cambridge University Press.
Wilson, P. (2018). “The Theatres and Dionysia of Attica,” Πλειών: Papers in Memory of Christiane Sourvinou-Inwood, 1, 97–144.