Your latest videos are showing such a level of commitment and dedication. The latest 4 or 5 videos are of such value in information and quality. Keep up the good work!!!!, Thanks to you John Riley and a couple more drummers the level of content available for improving in our instrument is the best in all music. Kudos!
All great improvisers have one thing in common: musical imagination and compositional ability. It doesn't matter what the instrument is, without musical ideas 'improvisation' is nothing more just stringing together learned routines - chops.
A year ago I was thrust upon a throne to provide a beat for friends. That quickly got repetitive, robotic and boring. Feeling like you have to be F'n perfect. All the time. No variations. Not fun. In my mind I could hear something more musical without being excessive. Your language vs conversation analogy is a good one. I finally got a kit. Learning this at 59.
Been a top tier professional drummer most of my life. Private lessons, studied at MI (PIT), and also obtained 4 degrees for Audio/ Recording engineering. I always highly recommend to my students repetition, repetition, and more repetition. You want to develop your muscle memory to a point of limb independence where you don't "think" but more so "feel" the music...not "count" it under the lights on stage. So the take away lesson here on this video is right on point as it gets into improvisation. Here is a BIG one I don't come across much with training videos.. Are you ready? Here it is....learn another instrument and gain a basic knowledge of music theory. I personally gravitated to the piano. I cannot state enough how much this has improved my drumming, drum tuning, and communication with band mates. It is a game changer. You don't have to become a virtuoso, but gaining a basic understanding of music theory will elevate your drumming and musicality behind the kit.
Muchas gracias por compartir tus conocimientos , tengo 60años y he retomado despues de casi 20años de inactividad por no haber tenido acceso a estudiar !!! Gracias !! A ud estoy muy entusiasmado como si fuera un joven !!! Simplemente gracias !!!!
Another reason is that people practice choppy fills like you have been focusing on recently, but few actual gigs or jams call for things outside of variations on snare singles, runs down the toms, or maybe Bonham triplets. They don't show up at the gig because you instinctively know it would come off as crazy overplaying.
Even if I switch from a rudiment on the snare or pad to different drums in different hands it screws me up at first because the sound is different. I have to slow down and learn it all over again.