The creative choice between pleasant shudders and unpleasant ones has divided horror writers for more than 200 years. It's divided readers and literary critics as well, and the horror genre's popularity has waxed and waned as cultural conventions and aesthetic values have changed over time. Short stories were the prevailing format for most of the genre's history, and broad trends can be traced through the many short fiction anthologies published over the past 100+ years, some focused on older works and others on contemporary ones. This video is an overview of that anthology history.
0:53 Why short fiction?
2:43 Definitional difficulties
4:11 Horror vs. terror
7:13 A taxonomy of horror fiction
10:33 Cyclical evolution of horror fiction
15:14 The anthology battles
25:06 From demure to depraved
29:53 Modern anthologies
32:24 The hidden roles of women
35:40 Essential anthologies
My other videos referenced in this one:
Why Short Story Anthologies Are the Best Intro to SF - Why Short Story Anthologies Are the Best I...
Essential SF Short Story Anthologies - The Best Science Fiction Short Story Antho...
The History of Arkham House Publishers - The Greatest Small Publisher of Horror, Sc...
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I've launched a Substack (thelibraryladder.substack.com) to supplement the videos I make here on YouTube. I'll be posting essays, reviews, resources and other thoughts that don’t fit within the scope or time constraints of my channel. I'll also use it to host live discussions and other activities intended to add value to the topics I discuss here on YouTube.
Film credits:
The Cabinet of Dr. Caligari (1919)
Dracula (1931)
The Mummy (1932)
The Raven (1935)
Cat People (1942)
The Uninvited (1944)
The Beast with Five Fingers (1946)
The Mole People (1956)
Horror of Dracula (1958)
Eyes Without a Face (1960)
13 Ghosts (1960)
Horror Hotel (1960)
Night Tide (1961)
The Innocents (1961)
Carnival of Souls (1962)
The Brain That Wouldn't Die (1962)
The Girl Who Knew Too Much (1963)
The Haunting (1963)
The Birds (1963)
Maniac (1963)
The Masque of the Red Death (1964)
The Devil's Own (1966)
How the Grinch Stole Christmas (1966)
Night of the Lepus (1972)
Invasion of the Body Snatchers (1978)
The Shining (1980)
Pet Sematary (1989)
Misery (1990)
Matinee (1993)
Saw (2004)
I Saw the TV Glow (2024)
#horrorstories #horror #booktube
The creative choice between pleasant shudders and unpleasant ones has divided horror writers for more than 200 years. It's divided readers and literary critics as well, and the horror genre's popularity has waxed and waned as cultural conventions and aesthetic values have changed over time. Short stories were the prevailing format for most of the genre's history, and broad trends can be traced through the many short fiction anthologies published over the past 100+ years, some focused on older works and others on contemporary ones. This video is an overview of that anthology history.
0:53 Why short fiction?
2:43 Definitional difficulties
4:11 Horror vs. terror
7:13 A taxonomy of horror fiction
10:33 Cyclical evolution of horror fiction
15:14 The anthology battles
25:06 From demure to depraved
29:53 Modern anthologies
32:24 The hidden roles of women
35:40 Essential anthologies
My other videos referenced in this one:
Why Short Story Anthologies Are the Best Intro to SF - Why Short Story Anthologies Are the Best I...
Essential SF Short Story Anthologies - The Best Science Fiction Short Story Antho...
The History of Arkham House Publishers - The Greatest Small Publisher of Horror, Sc...
------------
I've launched a Substack (thelibraryladder.substack.com) to supplement the videos I make here on YouTube. I'll be posting essays, reviews, resources and other thoughts that don’t fit within the scope or time constraints of my channel. I'll also use it to host live discussions and other activities intended to add value to the topics I discuss here on YouTube.
Film credits:
The Cabinet of Dr. Caligari (1919)
Dracula (1931)
The Mummy (1932)
The Raven (1935)
Cat People (1942)
The Uninvited (1944)
The Beast with Five Fingers (1946)
The Mole People (1956)
Horror of Dracula (1958)
Eyes Without a Face (1960)
13 Ghosts (1960)
Horror Hotel (1960)
Night Tide (1961)
The Innocents (1961)
Carnival of Souls (1962)
The Brain That Wouldn't Die (1962)
The Girl Who Knew Too Much (1963)
The Haunting (1963)
The Birds (1963)
Maniac (1963)
The Masque of the Red Death (1964)
The Devil's Own (1966)
How the Grinch Stole Christmas (1966)
Night of the Lepus (1972)
Invasion of the Body Snatchers (1978)
The Shining (1980)
Pet Sematary (1989)
Misery (1990)
Matinee (1993)
Saw (2004)
I Saw the TV Glow (2024)
#horrorstories #horror #booktube
On the one hand, you strike at the very heart of my favorite types of fiction. The research is absolutely phenomenal, and you weave compelling, educational narratives that I honestly can’t get enough of.
However, your vocal fry laden, half whispered, slightly cartoonish delivery into an ASMR mic is like nails on a chalkboard to me. You do have a naturally pleasing voice and cadence, but you lean further and further into the affectation in your more recent videos that I have a hard time not cringing or rolling my eyes at one intonation or another.
In the words of Hank Hill: “somebody get that boy a cough drop”.
I really hate being the person to write this, because I understand your aesthetic and even like it, but only to an extent you’ve long since surpassed.
Once again, I accept that I am in the minority here. Moreover, I do appreciate the craft you put into your material and performance, but it is decadent and cloying to the point of inauthenticity. It turns off the rational, forgiving part of my brain and gives rise to the deepest instinctual demons of canniness and taste.
You’re currently at an 11, dialing it back to a 7 would be merciful to my ears.
But I mean, on the other hand, Im still watching and rewatching. The material is too good to be subsumed by preference. Please take this feedback in the spirit with which it is intended! Your work speaks for itself, please demonstrate that you trust the intelligence and attention span of your audience enough to let it do the heavy lifting; We don’t need so much icing on the cake to enjoy it.