I need some time to recover after hearing this 🤯

Beth Roars

Beth Roars

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The vocal combination we didn't know we needed! This is WILD!

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In this educational Vocal Coach analysis, Beth Roars breaks down Falling In Reverse’s “Joseph”, featuring Slipknot’s Corey Taylor and System of a Down’s Serj Tankian. Beth explores how lead singer Ronnie Radke moves from angelic head voice and falsetto into tremolo, cracked distortion, layered harmonies and screams

The breakdown looks at the drone note beneath the melody, how mouth shape shifts distortion between bright, cutting and darker, heavier tones, and why Corey Taylor’s vocal texture contrasts with Ronnie’s. Beth then examines Serj Tankian’s distinctive delivery, including vocal fry, clean note starts and the way his natural communication carries into his singing.

“Joseph” was released as a standalone Epitaph single on 14 September 2026. It was written by Ronnie Radke, Jason Richardson, Daniel Laskiewicz and Luke Holland, and produced by Radke and Tyler Smyth.

Fragility, rage, heaviness and something almost prayer-like are carried by three unmistakably different vocal colours, while still forming one song that will shake you to the core. This track feels visceral!
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Episode Breakdown:

00:00 Falling In Reverse - Joseph
01:13 Why is the Joseph Opening So Smart?
04:10 How To Change Tone With Mouth Shape
06:24 Why Does Corey Distortion Sound Different?
07:44 What Makes Serj Tankian Sound Unique & Human?

🛑 Watch the Original Video Without Interruptions: Falling In Reverse - "Joseph" (feat. Corey...
❗Check out Falling In Reverse here: https://fallinginreverse.com/
❗Check out Corey Taylor here: https://coreytaylor.com
❗Check out Serj Tankian here: https://serjtankian.com/
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Thanks to our Editor: Luís Santos https://luissantos.onfabrik.com
Want to edit for us? Apply here: https://www.bethroars.com/editor
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#VocalAnalysis #BethRoars #fallinginreverse #joseph #soad #slipknot #CoreyTaylor #SerjTankian

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Copyright Disclaimer:
Under Section 107 of the Copyright Act 1976, allowance is made for “fair use” for purposes such as criticism, commentary, education, and research.
This video is intended for educational and commentary purposes only. All rights to the original performance remain with the original copyright holders.
My analysis focuses on vocal technique, emotional expression, and the cultural significance of the performance, and is designed to educate and inform viewers about the artistry involved.
No copyright infringement is intended.
Support the original artist by watching and purchasing their work.
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