All five lenses in this countdown share the same maximum aperture, f/1.2. So why did one cost three times as much as its sibling, and why was another tested on the streets of Tokyo at night? In this video we count down the five fastest Japanese SLR lenses of the 1970s and look at what each company did to make f/1.2 actually usable.
We cover the Olympus G.Zuiko Auto-S 55mm f/1.2, the SMC Pentax 50mm f/1.2, the Canon FD 55mm f/1.2 AL, the Canon FD 85mm f/1.2 S.S.C. Aspherical, and the Nikon Noct-Nikkor 58mm f/1.2. Along the way you'll learn why aspherical elements mattered so much, how Canon's super-speed lenses earned an Academy Scientific or Technical Award, and why Nikon polished its Noct front element with methods borrowed from telescope mirror making.
Every spec and date in this video was checked against manufacturer histories and established lens references.
Subscribe to RetroFrame Media for more deep dives into the gear behind classic cinema and photography, and tell me in the comments which of these five you'd own.
1. Canon Camera Museum: FD 55mm f/1.2 AL
https://global.canon/en/c-museum/prod...
2. Canon Camera Museum: FD 55mm f/1.2 S.S.C. Aspherical
https://global.canon/en/c-museum/prod...
3. Canon Camera Museum: FD 85mm f/1.2 S.S.C. Aspherical
https://global.canon/en/c-museum/prod...
4. Canon Camera Museum: Awards history 1973-1999
https://global.canon/en/c-museum/hist...
5. Nikkor Thousand and One Nights No.16: Noct-Nikkor 58mm f/1.2
https://imaging.nikon.com/imaging/inf...
#VintageLenses #JapaneseLenses #NoctNikkor #CanonFD #Pentax #OlympusZuiko #FilmPhotography #ManualFocus #CameraHistory #VintageCameras #LensReview
All five lenses in this countdown share the same maximum aperture, f/1.2. So why did one cost three times as much as its sibling, and why was another tested on the streets of Tokyo at night? In this video we count down the five fastest Japanese SLR lenses of the 1970s and look at what each company did to make f/1.2 actually usable.
We cover the Olympus G.Zuiko Auto-S 55mm f/1.2, the SMC Pentax 50mm f/1.2, the Canon FD 55mm f/1.2 AL, the Canon FD 85mm f/1.2 S.S.C. Aspherical, and the Nikon Noct-Nikkor 58mm f/1.2. Along the way you'll learn why aspherical elements mattered so much, how Canon's super-speed lenses earned an Academy Scientific or Technical Award, and why Nikon polished its Noct front element with methods borrowed from telescope mirror making.
Every spec and date in this video was checked against manufacturer histories and established lens references.
Subscribe to RetroFrame Media for more deep dives into the gear behind classic cinema and photography, and tell me in the comments which of these five you'd own.
1. Canon Camera Museum: FD 55mm f/1.2 AL
https://global.canon/en/c-museum/prod...
2. Canon Camera Museum: FD 55mm f/1.2 S.S.C. Aspherical
https://global.canon/en/c-museum/prod...
3. Canon Camera Museum: FD 85mm f/1.2 S.S.C. Aspherical
https://global.canon/en/c-museum/prod...
4. Canon Camera Museum: Awards history 1973-1999
https://global.canon/en/c-museum/hist...
5. Nikkor Thousand and One Nights No.16: Noct-Nikkor 58mm f/1.2
https://imaging.nikon.com/imaging/inf...
#VintageLenses #JapaneseLenses #NoctNikkor #CanonFD #Pentax #OlympusZuiko #FilmPhotography #ManualFocus #CameraHistory #VintageCameras #LensReview