Eleanor Powell: The Queen of Tap (& Why She Left Hollywood) | The Rest of the Story | ep 35

BackToGreat

BackToGreat

188,825 views

Eleanor Powell starred in some of MGM’s most dazzling musicals, like Broadway Melody of 1936, Born to Dance, Rosalie, Honolulu, and Broadway Melody of 1940 — where she matched Fred Astaire step for step in the legendary ‘Begin the Beguine.’

Dubbed the Queen of Tap, Gene Kelly called her the best dancer ever put on film. Critics hailed her “eloquent feet.” And yet, at the height of her fame, she stunned Hollywood by walking away.

In this episode of The Rest of the Story on the Hey, Dancer! podcast, I trace Powell’s rise from a painfully shy child in Springfield, Massachusetts, to Broadway prodigy, MGM headliner, and Vegas comeback star. Along the way, you’ll hear how she trained, what set her apart, and why her artistry remains unmatched.

History may have pushed her name to the margins. But let’s be clear: Eleanor Powell belongs in the same breath as Astaire and Kelly. She was the pinnacle of screen (and stage) tap — and this is the rest of her story.

Special thanks to authors Paula Broussard & Lisa Royére and their book: Eleanor Powell, Born to Dance. It proved a monumental resource in my research for this ep. I highly recommend checking it out! You can grab it here: https://amazn.so/i8Z9I2O

Conceived, starring, written, and researched by: Miller Daurey

Please like, and share the podcast!

Don't forget to subscribe: @backtogreat

And follow my Instagram for daily dance inspo: Instagram: backtogreat

Thank you so much for supporting my journey! 💫❤️🙏🏼

Fair Use Disclaimer

This video complies with Section 107 of the U.S. Copyright Act of 1976, which allows for the limited use of copyrighted material for purposes such as criticism, commentary, education, and research. All third-party footage is used transformatively, accompanied by original narration, verified historical context, and dance-specific analysis. I do not claim ownership of any copyrighted material; all clips are included strictly for educational and documentary purposes, supporting biographical storytelling and cultural commentary.

Films and archival materials featured include:

Queen High (1930, Paramount)
George White’s 1935 Scandals (1935, Fox)
Broadway Melody of 1936 (1935, MGM)
Born to Dance (1936, MGM)
Varsity Show (1937, Warner Bros.)
Broadway Melody of 1938 (1937, MGM)
Rosalie (1937, MGM)
Honolulu (1939, MGM)
Broadway Melody of 1940 (1940, MGM)
Lady Be Good (1941, MGM)
Ship Ahoy (1942, MGM)
I Dood It (1943, MGM)
Sensations of 1945 (1944, United Artists)
Duchess of Idaho (1950, MGM)
Bell Telephone Hour (1963, NBC Television)
That’s Entertainment (1974, MGM/UA)
AFI Tribute to Fred Astaire (1981, CBS Television)
New York and LA archival: NASS (YouTube channel)

All media is used under Fair Use for non-commercial, transformative purposes including historical documentation, dance education, and biographical analysis.