SUBSCRIBE: @diegodrawcomics
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READ ONE-SHOT HERE: Patreon: DiegoDrawsComics
Hi everyone! Earlier this year I decided to submit a manga one-shot to Kadokawa's World Manga Contest. This is my experience with the arduous process of creating a one-shot in just one month. If you're interested in becoming a mangaka and are planning to enter a manga competition, this video is for you!
How to Draw, How to draw with markers, How to grow your art account, how to get noticed online, marker art, painting, How to make a manga, How to make a One shot manga, manga competition, silent manga audition, world manga contest
SUBSCRIBE: @diegodrawcomics
INSTAGRAM: Instagram: diegodrawscomics
PATREON: Patreon: DiegoDrawsComics
READ ONE-SHOT HERE: Patreon: DiegoDrawsComics
Hi everyone! Earlier this year I decided to submit a manga one-shot to Kadokawa's World Manga Contest. This is my experience with the arduous process of creating a one-shot in just one month. If you're interested in becoming a mangaka and are planning to enter a manga competition, this video is for you!
How to Draw, How to draw with markers, How to grow your art account, how to get noticed online, marker art, painting, How to make a manga, How to make a One shot manga, manga competition, silent manga audition, world manga contest
I think the comic hinted at this, but I just want to state what I got out of it.
Which is... to create what you want to create. For yourself. Everything else is incidental. The office worker kept drawing, but didn't allow himself to be an artist because he didn't see his art as good enough. Because there was an imaginary, self-perceived bar he didn't clear in his mind.
The second artist simply created what he wanted to create. Drew what he wanted to draw, even if it was anatomically incorrect. The art was always, in some sense, for him, and from him. He didn't mold himself to be what others expected.
And the office worker finally realized this in his old age, and creates what he wanted to create. And sure, the hazmat team ended up keeping the art. But the art was never FOR them. Them keeping it was incidental. The reason why it was hopeful, to me, is not that his art made any sort of impact. But instead, it was finally because he allowed himself to make what he wanted to make -- which was the same thing he drew as a child, back before he had internalized societal expectations on himself.
So the whole story is almost about rejecting social conditioning. And doing things for yourself rather than for others. Part of that is rejecting the formal art world, but it starts before all that, with doing things for yourself, free of expectations.