Dean Koontz has written over 100 books and sold more than 500 million copies, making him one of the best-selling authors of all time. I visited Dean at his home and personal library to understand what truly sets him apart. Unlike most mass-market writers, Dean is obsessed with the craft. He doesn’t just write stories, he truly lives for the beauty of the English language. We talked about why he stopped outlining his novels and how to build characters that feel alive. But honestly, this conversation goes way deeper than just writing. I think you’re going to love it. Enjoy!
00:00:00 Intro
00:00:34 Why I Stopped Outlining My Writing
00:14:10 Dealing With Publishers
00:18:42 How to Develop Your Voice
00:22:13 How Childhood Trauma Shaped My Creative Process
00:29:35 Where Do Original Ideas Really Come From
00:36:09 Why Great Characters Matter More Than Plot
00:48:25 The Secret to Better Editing
00:53:27 The Authors That Influenced My Writing
00:59:47 What Actually Builds Real Suspense in a Novel
01:07:30 Why Slow Writing Makes Better Stories
01:09:13 The 4 Rules of Writing
01:13:38 How to Balance Faith, Science, and Storytelling
01:18:48 Is Self-Doubt a Writer’s Superpower
01:21:28 John D. MacDonald: Character Over Plot
01:23:33 T.S. Eliot's Use of Language Is Mind-Blowing
01:26:52 How Ray Bradbury Turned Joy Into Language
01:31:45 Charles Dickens Wasn’t Afraid of Emotion
01:34:41 Sentiment Is Confused With Sentimentality
01:37:33 Dean Koontz's Home and Library
01:41:31 Why Metaphysics Is the Central Issue in a Writer’s Career
Hey! I’m David Perell and I’m a writer, teacher, and podcaster. I believe writing online is one of the biggest opportunities in the world today. For the first time in human history, everybody can freely share their ideas with a global audience. I seek to help as many people publish their writing online as possible.
Follow me
Apple: https://podcasts.apple.com/us/podcast...
Spotify: https://open.spotify.com/show/2DjMSbo...
X: https://x.com/david_perell
Dean Koontz has written over 100 books and sold more than 500 million copies, making him one of the best-selling authors of all time. I visited Dean at his home and personal library to understand what truly sets him apart. Unlike most mass-market writers, Dean is obsessed with the craft. He doesn’t just write stories, he truly lives for the beauty of the English language. We talked about why he stopped outlining his novels and how to build characters that feel alive. But honestly, this conversation goes way deeper than just writing. I think you’re going to love it. Enjoy!
00:00:00 Intro
00:00:34 Why I Stopped Outlining My Writing
00:14:10 Dealing With Publishers
00:18:42 How to Develop Your Voice
00:22:13 How Childhood Trauma Shaped My Creative Process
00:29:35 Where Do Original Ideas Really Come From
00:36:09 Why Great Characters Matter More Than Plot
00:48:25 The Secret to Better Editing
00:53:27 The Authors That Influenced My Writing
00:59:47 What Actually Builds Real Suspense in a Novel
01:07:30 Why Slow Writing Makes Better Stories
01:09:13 The 4 Rules of Writing
01:13:38 How to Balance Faith, Science, and Storytelling
01:18:48 Is Self-Doubt a Writer’s Superpower
01:21:28 John D. MacDonald: Character Over Plot
01:23:33 T.S. Eliot's Use of Language Is Mind-Blowing
01:26:52 How Ray Bradbury Turned Joy Into Language
01:31:45 Charles Dickens Wasn’t Afraid of Emotion
01:34:41 Sentiment Is Confused With Sentimentality
01:37:33 Dean Koontz's Home and Library
01:41:31 Why Metaphysics Is the Central Issue in a Writer’s Career
Hey! I’m David Perell and I’m a writer, teacher, and podcaster. I believe writing online is one of the biggest opportunities in the world today. For the first time in human history, everybody can freely share their ideas with a global audience. I seek to help as many people publish their writing online as possible.
Follow me
Apple: https://podcasts.apple.com/us/podcast...
Spotify: https://open.spotify.com/show/2DjMSbo...
X: https://x.com/david_perell
Some lessons I picked up from our time together:
1. Dare to love the English language.
2. Characters come alive when they're given free will. Instead of constraining them in an outline, let them go where they want. You know they’re alive once they start surprising you. He says: “I give the characters free will like God gave it to us.”
3. Everything a writer believes about life and death, culture and society, relationships and the self, God and nature will wind up in their books. A writer’s body of work, therefore, reveals the intellectual and emotional progress of its creator, and over time, becomes a map of their soul.
4. To think you understand the world is to be foolish in the extreme. The world is too complex for us to understand it. To see reality clearly is to be utterly enchanted by its staggering complexity.
5. Where should you look? Well, the supernatural enters the world in mundane ways, and rarely the great and glorious flashes of drama.
6. Dean writes his novels page-by-page, and doesn’t move onto the next page until he nails the existing one. There’s no messy first draft. Because of that, he’s basically done with his novels once he finishes the final page.
7. Where does a unique writing voice come from? Three places: style, perspective, and a philosophy of life.
8. Be skeptical of conventional wisdom. There’s an encyclopedia of common wisdom in publishing. All of it is common and none of it is wise. You have to become aware of that, go your own way, and just stick with it because there are so many ways you can be sent wrong based on "that's the way we always do it."
9. The aesthetic plainness of contemporary writing (and culture at large) is crushing our souls.
10. Contemporary fiction is suffering from plainness in particular. It started when writers started imitating Hemingway (who stripped his prose down but kept the mystery and underlying strangeness of the world by implication). But the imitations that came later stripped the prose down while also removing the underlying depth that made Hemingway so great.
11. Koontz Law of Writing #1: Never go inside more than one character's mind in a scene. Each one should come from a singular viewpoint.
12. Koontz Law of Writing #2: Metaphors aren't meant to dazzle readers, but to seduce them into a more intimate relationship with the story.
13. Koontz Law of Writing #3: Metaphors and similes describe a scene more colorfully than a chain of adjectives — while reinforcing the mood. The point is that you can create depth by describing things metaphorically instead of using blunt adjectives. That’s what poetry does: it uses words to say more than the word itself says, which creates a mood.
14. Great prose doesn't come from piling on adjectives. It comes from finding the perfect metaphor that does triple duty: describes the scene, reinforces the mood, and reveals something about the character.
15. The goal is for metaphors not to pop out like showmanship, but to flow into the music of the language.
16. Develop an ear for the musicality of language.
17. A book can succeed with a mediocre plot if the characters are compelling. Character is the center of good fiction. If the characters work, the story works.
18. From the afterword of his book, Watchers: “We have within us the ability to change for the better and to find dignity as individuals rather than as drones in one mass movement or another. We have the ability to love, the need to be loved, and the willingness to put our own lives on the line to protect those we love, and it is in these aspects of ourselves that we can glimpse the face of God; and through the exercise of these qualities, we come closest to a Godlike state.”