Hi Marcus! Your point about invisible cinematography supporting the narrative rather than just looking pretty is a brilliant insight for documentary work. Great video.

I'll take any excuse to rewatch Sicario. Thank you Marcus

Love the flow of this channel! Keep it up!

Simple and effective! Can 100% relate to these brother

You showed off some of the gear you use in this video, but i would love too see a breakdown off what you use and why that over other products

Thank you!

Read Deakins' book. It's good.

thank you for this video

very interesting and helpful

I see a glaring contradiction.
One one hand,  "cinematography should be invisible" , because it must serve the story, on the other,  " if it looks lit it looks unnatural".
Fact is every story is unnatural. Like all art, stories  are unnatural.
Art is an artifice, its a craft, its created by a visionary. It cannot be not artificial.
Art has so broad a purpose, so various a path, as is beauty, pain, proportion and atmosphere etc.
So the first supposition is correct, craft elements MUST contribute to the story, but the story might and might not be best served by direct, artificial, synthetic , etc etc.

great content but why would shoot this video using 3 point lighting 🥲