Agreed 12th Night is not overtly political, but it is the best Rom-Com in the canon. The key to writing a great Rom-Com is understanding that it's hysterically funny to the audience but pretty darn serious to the protagonists. There are also important themes of deconstruction that WS touches on but Prof. Cantor eschews.
Deep, so deep, layer upon layer pealed away until we drown within our own shallowness. Not just words, words, words….. I’ll find my way blind, most feelingly. The rest is silence. ❤️🙏
At 44:20 Professor Cantor remarks with surprise that Cesario asks which "exquisite and unmatchable beauty" is the lady of the house: "... You can pick her out in a crowd!" (44:36). He asks because Olivia is veiled. See right before Cesario's entrance: "Give me my veil: come, throw it o'er my face. We'll once more hear Orsino's embassy." It is still ironic that Cesario addresses Olivia as exquisitely beautiful while she is veiled and he as no evidence of his own to verify the claim that she is so gorgeous. It suggests a degree of shallowness and presumption.
The production of Twelfth Night that Professor Cantor references with Alec Guinness is not only heavily cut but flawed in several ways. Guinness and Ralph Richardson are good as Malvolio and Toby Belch respectively, but Joan Plowright, although also a fine actress, I thought never really convinced as a boy. It is hard to imagine anyone being fooled by her Cesario for a minute. Worst of all was Feste, played by Tommy Steele. Steele was a middle-grade pop singer of the 1960s who turned to acting later in his career. He has the voice to portray Feste in his troubadour moments, but give him Shakespearian dialogue to handle and the result is an embarrassment.
44:50 - "...anyone could pick her out of a crowd." But Olivia is VEILED, (I.v.150) so Cesario cannot see her beauty. Surely, Viola already knows who it is through other clues (dress, veil, the fact that servant Maria brings her into room where elegantly dressed woman in black is wating etc.)