Behringer BDS-3 Review: The Forgotten Simmons Drum Synth Reborn

Starsky Carr

Starsky Carr

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Patreon: starskycarr
Before hex pads. Before 80s pop clichés. Before electronic drums went mainstream… there was the SDS-3.

In this video, I take an in-depth look at Behringer’s BDS-3 (originally labelled SDS-3), a modern Eurorack recreation of the 1978 Simmons SDS-3 — one of the very first analogue drum synthesizers ever made. Long before the famous SDS-5 kits, the SDS-3 was designed to augment acoustic drums using mic triggers, analogue filters, envelopes, noise and pitch modulation.

I explore how the original worked, why it wasn’t a commercial success, and why that actually makes it such an interesting instrument today. Then I put the Behringer BDS-3 through its paces: sound design, MIDI control, mic triggering, Eurorack use, modulation tricks, and how those four identical analogue voices interact as a single instrument

You’ll hear everything from deep sub kicks and MiniPops-style tones, to metallic blips, noise-based percussion and evolving analogue textures — plus why this design still feels surprisingly modern almost 50 years later.

In this video:

The history of the Simmons SDS-3 (1978)
Why it failed commercially but shaped electronic drums
Why Behringer renamed it BDS-3
Analogue drum synthesis explained
Mic triggering vs MIDI triggering
Eurorack integration
Filter sweeps, pitch envelopes, noise & modulation
Real musical examples and sound design demos

If you’re into analogue drum synths, Simmons history, Behringer clones, or unusual ways of creating electronic percussion, this one’s for you.

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From The Studio

0:00 intro demo
1:38 What's an SDS-3?
3:44 Mic input
4:46 How the voices work
10:37 The Secret Sauce: LFO can modulate all 4
13:20 RUN!!
17:36 Minipops CR-78 stylie


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