A close reading of Sonnet 20 and a consideration of the common questions asked about this sonnet.
Introduction to Shakespeare's Sonnets: https://docs.google.com/document/d/1P...
Handout on Poetic Meter: https://docs.google.com/document/d/17...
A close reading of Sonnet 20 and a consideration of the common questions asked about this sonnet.
Introduction to Shakespeare's Sonnets: https://docs.google.com/document/d/1P...
Handout on Poetic Meter: https://docs.google.com/document/d/17...
"A man in hue, all hues I his controlling"
This is a pivotal line in the sonnet - Hue was a common word for colour or shades of colour often used by Shakespeare. It doesn't make sense now, because we no longer have Sumptuary laws - but in Elizabethan times there were strict rules about what colours people could wear - it was important that connomers were not able to pass themselves off as nobility, so only the nobility could wear all colours and only the royal family and the higher ranking nobility could wear Purple.
One person stands out as a result - Henry Wriothesley the 3rd Earl of Southampton who would become Shakespeares patron and to whom the two long poems Venus and Adonis (1593) and The Rape of Lucrece (1594) were both dedicated. As an earl, young Henry would have "all hues in his controlling," and we know from paintings of him as a young man and one depicting him as a woman, that he fits the description at the beginning of this sonnet perfectly - This to me is the most compelling evidence that Henry was the "Fair Youth" and other research I have conducted indicates that the second half of this sonnet expresses Shakespeares unrequited love for this effeminate man - someone today we might consider a Trans woman.
Shakespeare spent his life working with young men who dressed as women - and we know from research done on this topic and the Bejing Opera who also had men/boys playing female roles that many boy actors lived much of their lives off stage as women. Shakespeare also lived at a time of expreme oppression of L:GBTQ people - Elizabeth 1 had reenacted the Buggery Act and, although few people were charged, it was a constant threat - and the reason why Shakespeares love of Henry would always remain unrequited. The sonnets were not written for public consumption and were not published until very late in Shakespeares life.
I have written a recent article on Shakespeares lost years and the LGBTQ culture in 16th century yu may fid interesting - https://www.linkedin.com/pulse/uncovering-hidden-threads-shakespeares-lost-years-lgbtq-rikki-arundel-zwote/?trackingId=VN0SOWizkwt9ZlyPZjpnfg%3D%3D