In this video we will thoroughly explore a 1962 (or 1963) Brownface Fender 6G6A Bassman amplifier, with emphasis on creation of an adjustable bias pot and in-depth discussion of both NFB circuits and the Fender Presence Control. An audio demo is presented at the end of the repair segment. In addition, we will be visited by some kitties, a 1932 Ford Roadster, and a very special guitar.
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In this video we will thoroughly explore a 1962 (or 1963) Brownface Fender 6G6A Bassman amplifier, with emphasis on creation of an adjustable bias pot and in-depth discussion of both NFB circuits and the Fender Presence Control. An audio demo is presented at the end of the repair segment. In addition, we will be visited by some kitties, a 1932 Ford Roadster, and a very special guitar.
If you enjoy our no-ad-revenue videos, please SUBSCRIBE to our channel and consider supporting our work by becoming a Patreon Patron at Patreon: uncledougsvintageamps or by making a PayPal donation to: dldcam@aol.com. Regardless, thanks for watching :)
1.) The second triode in the Bass channel is a cathode follower, which does not invert the signal, therefore the two channels are out of phase.
2.) The NFB loop connects, not only to the PI cathode, but also to its lower triode grid.
3.) The Bass channel not only did not have more gain that the Normal channel, but its signal tended to have more treble frequencies, at least with guitar input.
4.) At around 17:40 the lower range for he adjustable bias pot should be 22K......not 28K.
5.) The clipping seen in the 3rd audio demo tune was due to an incorrect input-level setting on the digital recorder.....not due to the Presence Control.
6.) For our English viewers: The "Boot" is the trunk and the "Bonnet" is the hood. Sorry ;)