Терминатор 2: Судный день Кэмерона. Как снять идеальный сиквел, не привлекая внимания Скайнета

Клим Жуков

Клим Жуков

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0:00:00 Beginning
0:04:00 Terminator Rights Transfer to Carolco
0:13:25 Teaser with a Half-Million-Dollar Budget
0:15:57 Inherited Conventions
0:18:00 Two Time Travel Concepts
0:19:34 Early Script Drafts, T1000 - John Connor's Father
0:20:35 Who Could Play the Evil Terminator
0:27:30 Pre-Filming Preparations and the Creator of the Uzi
0:28:10 Special effects: computer, mechanical, and twin
0:35:10 Scenes from the future not included in the film
0:38:44 John Connor and minors
0:41:30 The intrigue of the film's opening scenes
0:46:33 How the fight against violence in cinema began
0:51:10 Filming the chase through the drainage canal
0:56:35 The return of Private Vasquez
0:58:18 How to escape from a mental hospital in an interesting way
1:02:45 Linda Hamilton's twin and Schwarzenegger's trepanation
1:04:15 Mexican arsenal
1:06:40 How to film an atomic explosion
1:11:40 A tour of Cyberdyne Systems
1:14:10 When Rus' was free, a goose cost three kopecks!
1:17:45 Liquid Pursuit
1:19:00 Budget Overruns and "Terminator 3 Without Me" T-Shirts
1:19:55 Battle at the Steel Mill
1:21:30 A Scene That Was Reshot on New Year's Eve
1:24:00 Alternate Ending
1:28:20 The Film's Success and Philosophy
1:40:30 Robot Battle as the Apotheosis of the Action Genre
1:41:40 Life After the Credits
1:44:00 Amorous Cameron
1:44:40 Crusaders - Schwarzenegger and Verhoeven's Unproduced Magnum Opus
1:46:40 How Pirates Ruined Carolco
1:49:30 Attempted Reboot
1:52:05 The Collapse of Furlong and the Franchise
1:57:15 Hasta la vista, baby