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Lana Del Rey - Blue Banisters
Lana Del Rey - Did you know that there's a tunnel under Ocean Blvd
Lana Del Rey - iTunes Festival 2012 (Full Concert)
Lana Del Rey - Unreleased Tracks (Part 1)
https://www.patreon.com/cw/EgoDeath472

The first two songs don’t have any of those weird noises on the release, you played the music video on spotify 😔✊

You listened to the music videos of the 2 first songs. 🤷🏽‍♂️

It's a little bit weird to listen to the sounds of the music video instead of the music 😅 but great reaction!

I was literally like hmm this dude hasn’t uploaded chemtrails and I checked and HELL YEAAAAA BRO

genius got the wild at heart “insta-dots” lyric wrong she said insta thots!<3

You watched the music video version of Chemtrails, rather than album version. Music video is worth a watch! Song is beautiful in its own right <3

Originally "Let Me Love You Like a Woman" was called "Pink Champagne". It's unreleased now, and in my opinion, it's much more heart-touching, raw than the published version.

dark but just a game is a peak

JUSTICE FOR WHITE DRESS AND CHEMTRAILS!!!

You NEED to do Lizzy Grant, it was released before she was Lana. It's my favorite project of hers

After you finish her whole discography, it is so worthy to listen to her unreleased songs. There are like 200 and are all so different and experimental

Ha ha ha, when reacting to the track Chemtrails Over The Country Club, you listened to the soundtrack from the music video. There are no such loud sounds in a regular soundtrack.

That bridge on Dance Till We  Die is fire.

Hi there! In "Chemtrails Over the Country Club," the sound effects actually come from the music video. And let me tell you something: if Lana had already won you over, baby, you're in trouble, because that woman is on fire... As for the song itself, you really ought to listen to it without the added sounds; it's beautiful and feels like a summer breeze. I always look forward to your content—please keep reacting to Lana! Sending a hug from Argentina!💋

Starting with the positives: you’re the kind of reactor who takes the time to really listen. I think anyone with a taste for older music will appreciate Chemtrails over the Country Club and *Blue Banisters*—Lana’s least popular albums. They are wonderful records.
On the downside—and this might have influenced things—for the first two songs, you used the audio from the music videos (as people mentioned in the comments), which likely affected your rating. Even though it didn't get as many "10s" as her other work, for me, most of the tracks actually deserve that score. That said, I get it; I didn't listen to songs from this album much at first either, but they grow on you over time. I didn't fully appreciate the second half of the album initially, in particular.
On another note—there’s so much one could say, but I’ll just mention that I liked how you described her vocals on "White Dress"—likening them to someone being strangled. It’s interesting because it really feels like she’s longing for those past times, or perhaps like she’s suffocating in that present moment.
Eagerly awaiting Blue Banisters and *Did You Know That There’s a Tunnel Under Ocean Blvd*.

and lemme love u like a woman was actually the live version not the actual song

The chemtrials over the country club the effects they’re just in the music video not the actual song so ig u reacted the mv by accident

White Dress: (0:03:47)
Chemtrails Over The Country Club: (0:12:31)
Tulsa Jesus Freak: (0:21:43)
Let Me Love You Like A Woman: (0:28:50)
Wild At Heart: (0:36:44)
Dark But Just A Game: (0:45:00)
Not All Who Wander Are Lost: (0:52:01)
Yosemite: (0:59:42)
Breaking Up Slowly (feat. Nikki Lane): (1:08:21)
Dance Till We Die: (1:14:43)
For Free (feat. Weyes Blood): (1:25:21)

Natalie Mering, better known as Weyes Blood is an acclaimed American singer-songwriter known for her cinematic blend of 1970s soft rock, chamber pop, and baroque folk. Celebrated for her rich, velvety voice—frequently compared to iconic vocalists like Karen Carpenter and Joan Baez—she delivers pristine, lingering harmonies with a timeless, ethereal quality. Lyrically, Mering contrasts her lush, vintage soundscapes with poignant, modern themes, exploring digital isolation, climate anxiety, and existential dread, all while searching for authentic connection and hope amidst a changing world. I absolutely recommend you to listen to her 2019 album Titanic Rising, it’s UNBELIEVABLE