Very good 👍

I like the composition on 2 images with different apertures. I'm going to try this technique. Thank You for this tutorial!

Always like your videos about intentional photografy. Keeps my images more creative!

Love the last two techniques

Thank you, Eva, for another excellent and practical video. I've been following you for a long time, and I truly think you've done a lot to promote this interesting approach to ICM photography. Keep it up! 👍👍👍

I liked all the techniques. Thanks for such a wonderful video

Thank you for talking about settings and techniques, this was helpful as I have been experimenting in this area 😊

Thanks for showing multiple ways of generating impressionistic images.

I love Impressionist photography. You make such great tutorial videos. Thank you so much! 📷

Thank u!

I all love them. I have a lot off work to do thnx....❤

Thank you 🙏🏼

The soft focus technique I feel will be very useful to give the feel of the scene, so long as not over done. I like the idea of adjusting focus. Rather than a diffusion filter, why not a subtle use of the different blur tools in post processing?

This is something new to me. I will give it a try. Dziekuje!

Thank you very much,  Eva. That was so helpful, especially your tips on camera settings for multiple exposures and ICM.  💐 Carol

Very helpful and informative video - thx so much❤️

Amazing

Great session!
I love ICM but I will try the double exposure you have show.

The reflections in water is one of your techniques I am interested; it especially reminds me of Monet's Waterlilies. I like to photograph from nature and when I see ripples on water I am immediately attracted to them. I understand that it seems to be fashionable to photograph water ripples using a neutral density filter so that your exposure is long and all the ripples merge. I do appreciate it is, at times, a pleasing aesthetic, but it is something I shrink back from because I want to see nature as she is. But that is a personal thing for me for I love to see nature expressing herself, freely. Looking at Monet's Waterlilies, his mastery of painting water is very clear. Something else I like to do is to include a shadow in a photograph, not necessarily of me, but of something that isn't in the field of view, but you know it is there because of its shadow; clouds or a tree or rock with an unusual shape. Sometimes you know something is there even though it may not be in your immediate field of view, but a little look askance, there may be a shadow - even very pale, but it is still there. Not in the picture, but essentially its presence is felt.

Another marvelous, informative and inspirational video, thanks, Eva! I wish my camera supported ME, or that Lightroom allowed for merging, as I don't use PS..