🔔 Receive new episodes 🎧|📺 https://perguntasimples.com/subscrever/
A singer who lowers his voice to be heard. In Lisbon's fado houses, they said he sang like a Brazilian, and it was Caetano Veloso who wrote about one of his albums that came into his hands almost by chance. In between, there were the Alentejo folk songs his grandmother taught him, twenty-eight sold-out nights at the Coliseums, and a new album, Oração ao Tempo (Prayer to Time). A conversation about the spoken word in its entirety, the silence that compels listening, and the discomfort of responding without singing.
Highlights of this conversation:
• Why singing a tone lower forces the listener to be quiet
• "Poetry is for eating": the school of fado and the word spoken to the last syllable
• The candy and the candy box, or how repeating an effect wears it out
• The difference between serving music and serving oneself from it
• Grandmother, the songs heard on the street and the Aldeia Nova de São Bento folk group at Culturgest
• Labels, herd mentality and the mania of waiting for foreign validation
• From stage fright in the musical Amália to the art of stepping onto it
• Twenty-eight sold-out coliseums before the first show
• Singing face to face with Caetano Veloso
• Fifty years and age prejudice
"Those who are listening have to be quiet and have to try to understand what we are saying."
🔗 Episode: [LINK TO BE PROVIDED]
🎦 YouTube: https://www.youtube.com/@pergunta.sim...
🎧 Spotify: https://spoti.fi/3kb07qm
🍎 Apple Podcasts: https://podcasts.apple.com/pt/podcast...
📺 RTP Play: https://www.rtp.pt/play/p7644/pergunt...
🌐 Website: https://www.perguntasimples.com
Chapters
00:00 Opening
01:43 Singing to Empty the Noise
03:23 The Word Spoken in Full
05:32 The Meter of Fado and the Sweetness
06:56 Amália and the Poets
08:17 The Audiences of Today
10:26 Serving the music or serving oneself from it
12:41 Alentejo singing and the grandmother
15:10 Aldeia Nova at Culturgest
17:49 Labels and sheep herding
19:41 How songs are born
23:31 Creative blocks
26:37 The voice that changes
29:56 Caetano Veloso and the path to Brazil
32:13 From Évora to the musical Amália
36:49 Twenty-eight coliseums
41:47 Singing face to face
44:16 Prayer to Time
47:02 Curiosity and the fear of speaking
50:02 Routines, friends and solitude
#SimpleQuestion #AntónioZambujo #Fado #AlentejoSinging #Communication #PortugueseMusic #PrayerToTime #Podcast
🔔 Receive new episodes 🎧|📺 https://perguntasimples.com/subscrever/
A singer who lowers his voice to be heard. In Lisbon's fado houses, they said he sang like a Brazilian, and it was Caetano Veloso who wrote about one of his albums that came into his hands almost by chance. In between, there were the Alentejo folk songs his grandmother taught him, twenty-eight sold-out nights at the Coliseums, and a new album, Oração ao Tempo (Prayer to Time). A conversation about the spoken word in its entirety, the silence that compels listening, and the discomfort of responding without singing.
Highlights of this conversation:
• Why singing a tone lower forces the listener to be quiet
• "Poetry is for eating": the school of fado and the word spoken to the last syllable
• The candy and the candy box, or how repeating an effect wears it out
• The difference between serving music and serving oneself from it
• Grandmother, the songs heard on the street and the Aldeia Nova de São Bento folk group at Culturgest
• Labels, herd mentality and the mania of waiting for foreign validation
• From stage fright in the musical Amália to the art of stepping onto it
• Twenty-eight sold-out coliseums before the first show
• Singing face to face with Caetano Veloso
• Fifty years and age prejudice
"Those who are listening have to be quiet and have to try to understand what we are saying."
🔗 Episode: [LINK TO BE PROVIDED]
🎦 YouTube: https://www.youtube.com/@pergunta.sim...
🎧 Spotify: https://spoti.fi/3kb07qm
🍎 Apple Podcasts: https://podcasts.apple.com/pt/podcast...
📺 RTP Play: https://www.rtp.pt/play/p7644/pergunt...
🌐 Website: https://www.perguntasimples.com
Chapters
00:00 Opening
01:43 Singing to Empty the Noise
03:23 The Word Spoken in Full
05:32 The Meter of Fado and the Sweetness
06:56 Amália and the Poets
08:17 The Audiences of Today
10:26 Serving the music or serving oneself from it
12:41 Alentejo singing and the grandmother
15:10 Aldeia Nova at Culturgest
17:49 Labels and sheep herding
19:41 How songs are born
23:31 Creative blocks
26:37 The voice that changes
29:56 Caetano Veloso and the path to Brazil
32:13 From Évora to the musical Amália
36:49 Twenty-eight coliseums
41:47 Singing face to face
44:16 Prayer to Time
47:02 Curiosity and the fear of speaking
50:02 Routines, friends and solitude
#SimpleQuestion #AntónioZambujo #Fado #AlentejoSinging #Communication #PortugueseMusic #PrayerToTime #Podcast