Bandish: Yeri thu dhan dhan tero bhaag. Taal: Jhumra
This recorded version is referred to as "Chandni Kedar" in inlay cards of the recordings, though it is debatable as to what exactly refers to as "Chandni Kedar" in the literature.
All copyrights with the respective owners. Uploaded here to appreciate the music and academic purposes only.
Comments are welcome. Comments that are derogatory or comparing with other artists etc. shall be deleted without notice.
Bandish: Yeri thu dhan dhan tero bhaag. Taal: Jhumra
This recorded version is referred to as "Chandni Kedar" in inlay cards of the recordings, though it is debatable as to what exactly refers to as "Chandni Kedar" in the literature.
All copyrights with the respective owners. Uploaded here to appreciate the music and academic purposes only.
Comments are welcome. Comments that are derogatory or comparing with other artists etc. shall be deleted without notice.
The shades of Madyam in Kedar is just infinity, which Amir Khan Saheb keep on revealing in different musical context of soulful combination. There no harshness or an agressive musical phrase. If it fast it is as much clear and meaningful.