— By Louis Alléaume

In this video, I'm going to show you how great jazz musicians (Kenny Garrett, John Coltrane, Lee Morgan, Emmett Cohen, etc.) break away from chord progressions and improvise "out" phrases.

Far from using random notes, these jazz musicians rely on three very specific pillars, which, once revealed, greatly simplify things...

🚨 FIND THE PDF OF THIS VIDEO AND DOZENS OF OTHER VIDEOS ON MY PATREON PAGE 🚨:

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Resources mentioned in the video:

👉Article on the bebop scale: https://jazzcomposer.fr/comment-la-ga...

👉Playlist of videos on a Charlie Parker solo:
BILAN : solo de Charlie Parker sur Yardbir...

👉Complete course on modes:

https://jazzcomposer.fr/modes-la-bonn...

👉Article on tritone substitution: jazzcomposer.fr/la-substitution-tritonique-un-bon-point-de-depart-pour-sonner-out/

🤖 To create your own PLAYBACKS using artificial intelligence:
https://www.lalal.ai/?fp_ref=louis56
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Photo credits:
· Kenny Garrett with his Quintet at the Stadttheater Rüsselsheim Hinterbühne on October 29, 2013, Source: Own work, Author: Jens Vajen
• Jazz pianist Emmet Cohen in 2022, Source: Provided by author with permission to upload and share on Wikipedia, Author: Gabriela Gabrielaa
• John Coltrane 1963, Source: GaHetNa (National Archives NL), Author: Hugo van Gelderen / Anefo

Chapters:
0:00 Video introduction
1:08 What is playing "out"?
2:13 First pillar: Chromaticism
4:09 Enclosures
6:26 The bebop scale
8:36 Second pillar: Sophisticated modes
9:46 The whole-tone scale
13:00 How Lee Morgan uses the whole-tone scale in "Our Man Higgins"
15:16 Third pillar: Substitutions chords
16:11 How Emmett Cohen uses Coltrane Changes on "Sweet Georgia Brown"
20:01 Tritone substitution
24:26 How to play "out" on the Blues
27:25 A bonus substitution: Swedish Blues
28:30 Find additional resources on Patreon
12:22 Conclusion!