I studied with someone who was with Michael Brecker at Indiana University, long, long ago. He said that one thing Michael Brecker would do is spend extended periods of time trying to capture the sound one of his heroes on saxophone. Then he would switch to another player, and then another, etc.
8:41 “The simpler the idea, the better it’s actually going to sound.” This is definitely something I struggle with when improvising. I get so busy pulling out everything in my arsenal and thinking about where to go just to get lost in ideas. This could definitely be useful. I currently go through “patterns for jazz” which uses some of the same concepts you introduced through Brecker’s book, yet this sounds much more aligned with developing my fingers in the horn! Let’s hit the practice room!!!
Gary Campbell was my saxophone teacher. Super nice guy, incredible sound. He fixed my horn, it wasn’t properly adjusted. He played it and fixed it. He was also one of the authors of the book Patterns for Jazz.